artist statment


Contemporary artists play an important role in documenting periods of change and the evolution of contemporary life. Having an awareness of social space and the alteration, reclamation, production and expansion of our environment generates artistic responses that have been greatly affected by the phenomenon of urbanism. The growth of urban culture inherently generates tensions and reactions within society. The specific dynamics of urbanism have helped shape our culture, our cultural production of space, our perceptions, the development of our environment, and ultimately have affected the way we live. Artists have responded to their urban surroundings as the subject to inspire their work and also as the structure or support to contain their work. As a Canadian artist residing in an urban area that is undergoing revitalization at its core and expansion at its periphery, I feel an exploration and interpretation of the urban dynamic is important to understanding how our society operates within such circumstances.
I am interested in the ways people inhabit space and the inherent tensions and energies generated within the complexities of our dynamically changing and evolving urban space. My work incorporates an accumulative process that reflects the complexity of social space, while illustrating familiar urban and suburban spaces and showcasing architecture that relates to forms common in contemporary North American society.

My paintings are grounded in representation and depict invented spaces with altering perspectives, surprising shifts in scale and unorthodox sight lines. Though my work explores representation it also osculates between figuration and abstraction invoking a sense of motion and tension, as the spaces are intended to represent a state of flux and reflect a continual change in styles and trends in contemporary society. My work also examines figures in these environments. The use of figures in the work allows for a psychological examination of how I think the depicted figures would co-habit their embellished environments. I contemplate and develop spaces that are not made up of mere generic containers were people would live, but I employ the idea that an urban space is a unique, living and evolving space that is constantly adapting and developing according to individuals’ needs and cultural trends. It is my notion that urban spaces have become a centre of living energy.

Through the physicality of the medium, the insistence on the material qualities of paint and the construction of images that reference the picture plane, I call attention to the surface’s flatness and combine it with representational image making. I want the images in my work to slowly reveal itself to the viewer, as the surface of the paintings transforms from abstract passages into rendered passages. I feel the added dynamism and tension in my paintings is caused by the materiality of the paintings surface against the rendered illusionary spaces. As you try to traverse the space of the painting, the disruption of surface’s material insistence repels you back to the surface of the work; you are unable to rest on the desired vanishing point. The constant back and forth activity causes the added dynamic tension and draws you in and out of the works.

I have always had an interest surrounding social interaction and architectural space, though throughout the past few years I have been articulating the compositional elements within my work and highlighting the dynamism of spaces in my work through exposing my process. I explore a variation of paint application, expressive mark making, bright under-painting and optical mixing. The bright under paintings act as unifying devices that localizes colour and provide the viewer with entrance and exit points throughout the painting. The layering of colour and forms and the combination of existing, familiar forms with imagined components acts as a visual dialect that expresses my interpretation of the urban dynamic. I want my work to allow for the viewer’s engagement on multiple levels. It is my intention that the artificial constructions I create will generate contemplation of the ongoing development of the social spaces in which we live. The spatial relationships that exist between humanity and architectural spaces are integral to an understanding of our visual world, as we make deliberate choices to define our surrounding spaces we are ultimately defined and affected by the spaces that surround us.

 

Curriculum Vitae: download CV

education:
Master of Fine Arts
  • University of Waterloo
    Waterloo, ON, 2008
Bachelor of Fine Arts
  • Nova Scotia College of Art and Design
    Halifax , NS , 2004
SOLO EXHIBITIONS:
2009

Transitions
   Rotunda Gallery, City Hall, Kitchener, ON

2008 Modern Dualities
 
  • Angell Gallery, Toronto, ON
  Painting Feature James Olley
 
  • Harbinger Gallery, Waterloo, ON
  Flat Places and Dynamic Spaces MFA Thesis Exhibition
 
  • Render Gallery, University of Waterloo, Waterloo, ON
selected Group EXHIBITIONS:
2009 Toronto Outdoor Art Exhibition: Award Winners 2008
 
  • The First Canadian Place Gallery, Toronto, ON
2008 Toronto International Art Fair
 
  • Angell Gallery, Toronto, ON
 

Intellectual Chic

 
  • Angell Gallery, Toronto, ON.
  48th Annual Toronto Outdoor Art Exhibition
 
  • Nathan Phillips Square, Toronto, ON
  Insights 29th Annual Juried Art Show
 
  • Elora Arts Council, Wellington County Museum & Archives
2007 Art Gallery of Hamilton Art Sale
 
  • Art Gallery of Hamilton, Hamilton, ON.
  Exposure
 
  • Artery Gallery , Kitchener, ON,
  City at Night: A Tribute to Brian Kipping Nuit Blanche
 
  • BAU-XI Gallery, Toronto, ON.
  ASAP
 
  • Artery Gallery, Kitchener, ON.
  47th Annual Toronto Outdoor Art Exhibition
 
  • Nathan Phillips Square, Toronto, ON.
  Gand Opening Group Exhibition
 
  • Liss Gallery, Toronto, ON.
  Digitalvd -Carbon Footprint
 
  • The Ice Box, Crane Arts Centre, Philadelphia; Edinburgh College of Art, Edinburgh, Scotland; Dundee Contemporary Arts, Dundee, Scotland; Galerie Weissraum, Kyoto, Japan; Groenhazengracht 1, Leiden, Netherlands; Mat's Flat Ul. Holowki 00-749, Warsaw, Poland; Margaret St. Gallery, Birmingham City University, UK; Incident Report, Hudson, New York; Edinburgh Printmakers, Edinburgh, Scotland
2006 Kingston Arts Council 5th Annual Juried Arts Salon
 
  • Kingston Frontenac Public Library, Kingston, ON.
2005 10th Annual Art in the Park
 
  • Markham Museum & Historic Village, Markham, ON.

 

Small Works
 
  • Touch Bath and Body, Coburg, ON.
2004 NSCAD Emerging Artists
 
  • Argyle Fine Art, Halifax, NS.
  43rd Annual Toronto Outdoor Art Exhibition
 
  • Nathan Phillips Square, Toronto, ON.
  Living Landscapes
 
  • Connections Clubhouse, Halifax, NS.
2003 42nd Annual Toronto Outdoor Art Exhibition
 
  • Nathan Phillips Square, Toronto, ON.
  Consulate General Student Show
 
  • U.S. Consulate General Residence, Halifax, NS.
  Board of Governors Painting Show
 
  • NSCAD University Painting Department, Halifax, NS.
2002 Look at My Little Landscapes
 
  • Anna Leonowens Gallery, NSCAD University, Halifax, NS.
  Image and Abstraction
 
  • Anna Leonowens Gallery, NSCAD University, Halifax, NS.

ART FAIRS:


2008 PULSE Contemporary Art Fair, Angell Gallery, Miami, FL
 

Toronto International Art Fair, Angell Gallery, Toronto, ON

donations:
2008 Line Art 2008
 
  • Art Gallery of Ontario, Toronto, ON
 

University of Waterloo Alumni Exhibition

 
  • University of Waterloo, Waterloo, ON
2007 Black & Gold Galla
 
  • Kitchener Waterloo Art Gallery, Kitchener, ON
2006 Black & Gold Galla
 
  • Kitchener Waterloo Art Gallery, Kitchener, ON

PROFESSIONAL EXPERIENCE:
Sessional Instructor
University of Waterloo
Waterloo, ON
2007 - 2008
  • Instruct second year undergraduate painting course, and first year fundamental drawing class
    Introduce traditional drawing and oil painting techniques
    Develop students' compositional, observational, modeling, shading, mark-making, paint handling and figure painting skills
    Design course syllabus and projects
    Compile online resources
Mentor & Advisor
University of Waterloo
Waterloo, ON
2007
  • Mentor and advise fourth year undergraduate Fine Art students
    Provide critical analysis of student work
Lecturer’s Assistant
North Glasgow College
Glasgow, Scotland
2007
  • Assist with instruction of Portfolio in Art & Design
    Instruct mixed media portion of the course
    Provide students with demonstrations, critiques and evaluations
    Assist with new courseware and development
Teacher’s Assistant
University of Waterloo
Waterloo, ON
2006
  • Assist with the instruction of Fundamentals of Painting course 
    Work alongside Professor Doug Kirton
    Instruct figurative painting portion of the course
Instructor
Connections Clubhouse
Halifax, NS
2004

  • Instruct a four week introductory Encaustic Workshop
    Work with special needs students
Guest Artist and Instructor
Halifax Regional Municipality
Halifax, NS
2003-2004
  • Provide instruction for adult Drawing and Painting classes at Needham Community Centre and St. Andrew’s Community Centre
    Created specific learning units as requested by instructor

ACCOMPLISHMENTS:

Best Student Painting
  • 48th Annual Toronto Outdoor Art Exhibition, Nathan Phillips Square, Toronto, ON, 2008
First Place Painting Award
  • Elora Arts Council, Elora, ON, 2008
Sylvia Knight Award in Fine Arts
  • Waterloo, ON, 2008
Shantz Summer Internship Scholarship
  • The Keith and Win Shantz Summer Internship, Waterloo, ON, 2007
Honorable Mention
  • Wallack’s Award, Kingston Arts Council, Kingston, ON, 2006
Robert Pope Painting Scholarship
  • NSCAD, Halifax, NS, 2003
 
press:
Intellectual Chic Review
Toronto Star
  • "Visual Arts - What's On, Toronto Outdoor Art Exhibition: A Field Guide", Toronto Star, Toronto, ON, July 10, 2008
Review Dilettante's Diary - TORONTO OUTDOOR ART EXHIBITION 08
Featured Artist - Arts News Canada
  • http://www.artsnews.ca, February 7, 2008
Featured Artist - Click here for the News Clip
  • CH Morning Live News, Hamilton, ON. air date: 2007, 11, 02
Featured Artist
  • “Barometer Rising: Up and Comers: James Olley,” The Daily News, Halifax, NS, March 25, 2004
 



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